I START WITH A POEM ABOUT LYING IN BED IN THE HEAT. BY THE END, HALF OF IT IS GONE.
I read the poem out loud, the way I always do first. Wherever I stumble is where I stop and mark it.
It opened with me lying on the bed in the heat, reading an open book. A few lines later it built into these long, heavy stretches: "political economy," "that unimagined achievement distracting us from our purpose." I could hear where it dragged. So I cut it, the whole opening and most of that heavy middle. What was left is where the poem actually wanted to start.
Then I got down to single words. I had "a rough clay bottle." I tried "coarse" instead. Same idea, completely different sound. One word, and the whole line changed.
You'll hear me stumble on a line and mark it. You'll watch me cut half a poem I liked. You'll hear what changes when one word gets swapped for another. You'll have a way to listen to your own draft, hear where it drags, and decide what to change.
REVISE YOUR NEXT POEM · $97